 |
|
 |
| A.
Arp Odyssey (2800) www.vintagesynth.org/ |
Used
for generating tones for cutting, oscillator / resonance yields scratch-like
noises / tones, incredible bass tones, manufactured in the
70's |
|
B. Korg Kaos
Pad2 |
mainly
used for simple effects such as BPM delay and reverb, before the main
output. |
| C.
Vestax PMC-06 Pro (white) www.vestax.com/ |
cuts
primarily the Odyssey tone using reverse cross fader, up fader, toggle
switch |
| D.
Vestax Faderboard http://www.vestax.com/v/products/players/faderboard.html |
plays tones (internal drum kits, sounds). mainly play saved sample tones from Fender Rhodes, Wurlitzer organ, Hammond organ, PPG synthesizer. Reverse Cross Fader for dynamic cutting. Also used to trigger MPC 1000 via MIDI |
| E.
H2O Liquid Effect Pedal http://www.visualsound.net/H2Opage.html |
Very
subtle rotary chorus and delay. Adds feel to the keyboard sounds. Dual phono output a big plus. |
| F.
Dunlop Crybaby EW-95V http://www.jimdunlop.com/ |
Transforms the Faderboard sound into a soulful expression. A must-have since the introduction to the cockpit. |
| G.
AKAI MPC 1000 http://www.akai.com/ |
Stores samples
ready for MIDI trigger. Portable and efficient. Can act as a versatile
drum machine, or sample bank for tones and phrases. |
| H.
Monster Pro Link Cables http://www.monstercable.com/ |
Ssetup reinforced by Monster Pro Link Audio and MIDI cables. Extremely reliable and durable! |
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